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In the Studio: Postwar Abstract Painting · LearnSpace
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courseraИскусство

In the Studio: Postwar Abstract Painting

Курс от The Museum of Modern Art
Начальный≈ 26.4 чАнглийский
О курсеНавыкиПрограммаПреподаватели

О курсе

Step inside New York City artist studios in the years following War II to discover the intentionality behind abstract painting. This course offers an immersive, hands-on exploration of approaches that defined painting of that era. By deconstructing the materials and processes of artists Jackson Pollock, Yayoi Kusama, Mark Rothko, and others you will move into the mindset of the maker. Through a unique combination of studio demonstrations of artist’s techniques and behind-the-scenes look at paintings in The Museum of Modern Art’s world-class collection, you will develop a sophisticated studio practice. You’ll also gain a transferable set of skills centered on how ideas evolve through close observation and creative problem solving. Whether you are a student of fine art, a professional looking to unlock new modes of thinking, or a lifelong learner curious about painting, this course provides the intellectual and technical toolkit to transform a blank canvas into a powerful vehicle for expression. Career Application: This course transforms the study of abstract painting into a deep, hands-on fluency in the materials, processes, and intentions of artists. You’ll elevate your art practice through a toolkit that combines technical and material precision with creative thinking.

Навыки, которые вы освоите

Color TheoryAestheticsCreativityDesign Elements And PrinciplesSocial ImpactPersonal DevelopmentLiberal ArtsWorld HistoryProblem Solving

Программа курса

9 модулей · 107 учебных материалов

01Introduction13 материалов

Part I: History and Context

1.1 Introduction to the CourseЧтение1.2 Introduction to the New York SchoolВидео

Part II: In the Studio

1.3 In the Studio: How to Stretch a CanvasВидео1.4 In the Studio: How to Stretch a Large Canvas (Optional)Видео

Учитесь у экспертов

Alex Roediger

Artist / Senior Information Coordinator

Corey D'Augustine

Art conservator, technical art historian, and artist

In the Studio: Postwar Abstract Painting
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Обучение на Coursera

≈ 26.4 ч

9 модулей

Язык: Английский

Субтитры: Арабский, Французский, Бенгальский, Украинский, Китайский (Китай), Греческий, Итальянский, Бразильский португальский, Вьетнамский, Нидерландский, Корейский, Немецкий, Пушту, Урду, Русский, Тайский, Индонезийский, Шведский, Турецкий, Азербайджанский, Испанский, Дари, Хинди, Японский, Казахский, Венгерский, Польский

Часть программы вашего университета
1.5 In the Studio: Priming the CanvasВидео
1.6 In the Studio: Oil PaintВидео
1.7 In the Studio: Acrylic PaintВидео

Part III: Read & Review

1.8 Supply ListЧтение1.9 Readings & ResourcesЧтение1.10 GlossaryЧтениеArtist communitiesОбсуждениеIntroductionЗаданиеMoMA ResourcesЧтение
02Barnett Newman12 материалов

Part I: Meet the Artist

2.1 Introduction to Barnett NewmanЧтение2.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

2.3 In the Studio: Materials & Techniques of Barnett NewmanВидео2.4 In the Galleries: A Closer Look at Onement, I, 1948Видео2.5 In the Galleries: A Closer Look at The Wild, 1950Видео2.6 In the Galleries: A Closer Look at Vir Heroicus Sublimis, 1950-51Видео2.7 Collector Ben Heller on Vir Heroicus Sublimis, 1950-51Видео

Part III: Read & Review

2.8 Readings & ResourcesЧтение2.9 GlossaryЧтениеPainting and affectОбсуждениеBarnett Newman studio exerciseОбсуждениеBarnett NewmanЗадание
03Willem de Kooning12 материалов

Part I: Meet the Artist

3.1 Introduction to Willem de KooningЧтение3.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

3.3 In the Studio: Materials & Techniques of Willem de KooningВидео3.4 In the Studio: Materials & Techniques of Willem de Kooning Part 2Видео3.5 In the Galleries: A Closer Look at Woman I, 1950-52Видео3.6 Curator John Elderfield on Excavation, 1950Видео3.7 Curator John Elderfield on Pirate (Untitled II), 1981Видео

Part III: Read & Review

3.8 Readings & ResourcesЧтение3.9 GlossaryЧтениеAbstraction and likenessОбсуждениеWillem de Kooning Studio ExerciseОбсуждениеWillem de KooningЗадание
04Jackson Pollock18 материалов

Part I: Meet the Artist

4.1 Introduction to Jackson PollockЧтение4.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

4.3 In the Studio: Materials & Techniques of Jackson PollockВидео4.4 In the Galleries: A Closer Look at The She-Wolf, 1943Видео4.5 In the Galleries: A Closer Look at Full Fathom Five, 1947Видео4.6 In the Galleries: A Closer Look at One: Number 31, 1950Видео4.7 In the Galleries: A Closer Look at Echo: Number 25, 1951Видео4.8 In the Galleries: A Closer Look at Easter and the Totem, 1953Видео4.9 In the Galleries: A Closer Look at White Light, 1954Видео4.10 Curator Ann Temkin on The She-Wolf, 1943Видео4.11 Collector Ben Heller on One: Number 31, 1950Видео4.12 Curator Ann Temkin on Easter and the Totem, 1953Видео

Part III: Read & Review

4.13 Readings & ResourcesЧтение4.14 GlossaryЧтениеRadical reinventionОбсуждениеJackson Pollock Studio ExerciseОбсуждениеJackson PollockЗаданиеOptional Mid-course surveyЧтение
05Mark Rothko15 материалов

Part I: Meet the Artist

5.1 Introduction to Mark RothkoЧтение5.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

5.3 In the Studio: Materials & Techniques of Mark RothkoВидео5.4 In the Galleries: A Closer Look at Slow Swirl at the Edge of the Sea, 1944Видео5.5 In the Galleries: A Closer Look at No. 3/No. 13, 1949Видео5.6 In the Galleries: A Closer Look at No. 10, 1950Видео5.7 Curator Ann Temkin and the artist's son Christopher Rothko on Slow Swirl at the Edge of the Sea, 1944Видео5.8 The artist's son Christopher Rothko on No. 10, 1950Видео5.9 The artist's son Christopher Rothko on No. 16 (Red, Brown, and Black), 1958Видео

Part III: Read & Review

*Advanced Planning for Module 7: In the Studio: Materials & Techniques of Ad ReinhardtЧтение5.9 Readings & ResourcesЧтение5.10 GlossaryЧтениеThe power of colorОбсуждениеMark Rothko Studio ExerciseОбсуждениеMark RothkoЗадание
06Agnes Martin11 материалов

Part I: Meet the Artist

6.1 Introduction to Agnes MartinЧтение6.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

6.3 In the Studio: Materials & Techniques of Agnes MartinВидео6.4 A Closer Look at Friendship, 1963Видео6.5 A Closer Look at Untitled No. 1, 1981Видео6.6 Curator Leah Dickerman on The Tree, 1964Видео

Part III: Read & Review

6.7 Readings & ResourcesЧтение6.8 GlossaryЧтениеAbstract Expressionism and MinimalismОбсуждениеAgnes Martin Studio ExerciseОбсуждениеAgnes MartinЗадание
07Ad Reinhardt11 материалов

Part I: Meet the Artists

7.1 Introduction to Ad ReinhardtЧтение7.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

7.3 In the Studio: Materials & Techniques of Ad ReinhardtВидео7.4 In the Galleries: A Closer Look at Number 107, 1950Видео7.5 In the Galleries: A Closer Look at Abstract Painting, 1963Видео7.6 Curator Ann Temkin and Ad Reinhardt on Abstract Painting, 1957Видео

Part III: Read & Review

7.7 Readings & ResourcesЧтение7.8 GlossaryЧтение"Art is free"ОбсуждениеAd Reinhardt Studio ExerciseОбсуждениеAd ReinhardtЗадание
08Yayoi Kusama13 материалов

Part I: Meet the Artist

8.1 Introduction to Yayoi KusamaЧтение8.2 Slideshow: A Career in Eight WorksЧтение

Part II: Look & Learn

8.3 In the Studio: Materials & Techniques of Yayoi KusamaВидео8.4 A Closer Look at No. F, 1959Видео8.5 A Closer Look at Violet Obsession, 1994Видео8.6 Curator Laura Hoptman on Accumulation No. 1, 1962Видео

Part III: Read & Review

8.6 Readings & ResourcesЧтение8.7 GlossaryЧтениеWorking across mediumsОбсуждениеYayoi Kusama Studio ExerciseОбсуждениеYayoi KusamaЗаданиеFunding & CreditsЧтениеOptional End-of-course survey
09Yayoi Kusama: Lesson Choices2 материалов

Lesson Track 1

Final Project: Visual analysis essayЗадание

Lesson Track 2

Final Project: Studio exercise and visual analysis essayЗадание
Чтение